Corey Atad

Kushner—who cowrote the screenplay for Spielberg’s controversial, eerily prescient film about the Israeli-Palestinian conflict—recalls telling the director, “You do understand that we’re going to get into an enormous amount of trouble” when Spielberg decided to do the movie.

It's become an award that exists solely to honor people's desire to win it. There's got to be a better way.

The No Other Choice director on bringing inanimate objects to life, the advice he got from Mary Ellen Mark, and what photography does for him that filmmaking can't.

Narcos star Wagner Moura talks about his role in director Kleber Mendonça Filho's '70s-set Brazilian drama and how life under the Bolsonaro regime shaped their collaboration.

Mescal explains how Malgosia Turzanska's costumes—featuring slashed leather and dark gray tones—helped him access William Shakespeare's "psychological landscape" in Chloé Zhao’s Hamnet.

Developed in the '50s to help movies compete with a new invention called television, the VistaVision film format is once again in vogue, thanks to films like The Brutalist and One Battle After Another. But what is VistaVision—and is it better, or just bigger?

Counting the hours until la revolucion kicks off? Just want to flex your cinematic knowledge in the popcorn line? Cue up this mini-film festival of movies that speak to (and in some cases, helped inspire) Paul Thomas Anderson's radical action thriller.

Van Sant's first new film in seven years brings to life a '70s standoff with uncanny echoes of Luigi Mangione.

Skarsgård and Renate Reinsve lead an outstanding cast in Norway's Best International Feature Film submission, about a family reckoning with decades of estrangement.

The Brat creator and Letterboxd power user said goodbye to “Brat Summer” at the end of her Coachella set, and suggested that Cronenberg Summer, Celine Song Summer, or Ari Aster Summer may be upon us.

The AppleTV+ series, with Seth Rogen as a flailing movie exec, is a knowing showbiz satire—but it never forgets that a guy tripping over furniture is usually pretty funny.

Seth Rogen and guest star Sarah Polley tell us everything about the complicated process of shooting “The Oner," an episode about the complicated process of filming a long, unbroken take.

The Oscar-winning documentary about a Palestinian community in the West Bank still doesn't have an American distributor, but don't let that stop you.

The Academy can only honor so many movies this Sunday, so we're taking matters into our own hands.

It's a sweeping, era-spanning cinematic landmark in the tradition of The Godfather and There Will Be Blood. It cost less to shoot than a midrange horror movie. Corbet and the film's production designer and cinematographer explain how they pulled it off.

“Clint’s a master of economy,” Abrams says. “How can we say more with less, or show more with less, ideally?”

The veteran actor also opines on Eric's future and reveals the advice he got from Dominic Chianese on the set of The Sopranos.

After years of nice-boyfriend/husband roles on everything from The Handmaid's Tale to Loot, the English actor reinvented himself as an unscrupulous district attorney on AppleTV+'s hit legal thriller.